Hey, we have a new release! New Biographs as well!
I guess this release falls somewhere between Burial and Boards of Canada but using Nanoloop 2.3 as a sound source.
More beautiful mellow atmospheres. I don’t really know what else to say really. I hope this has sold it to you.
Considering it’s an electronic form of music, there are still a lot of types of modern electronic music that remain fairly unexplored in a chipmusic way. Sure, there are a few people making popular EDM style stuffs (until it goes out of fashion) but there are very few making freaky techno, electro, acid and other genres I suppose you might bundle under unlikeable terms like IDM, Braindance or analogue and digital.
This new MSX release from Amiga VJ Poke-1,170 on 8bitpeoples fits into this category perfectly with its chrisp electro beats, spooky droneing pads and rumbling FM bass. Perfect 90s nostalgia that sounds like early Autechre and Drexciya, which thats a good thing.
You can download it for free at 8bitpeoples.com
www.8bitpeoples.com/discography/8BP126
Can you measure how chip something is? People don’t even seem to be able to agree on what chip music is anyway, so how can you begin to measure something when you dont even know what you are measuring? Maybe someone could do some graphs with data from Pouet or something.
I don’t know but 8GB can because this is 85/90% with Protracker 2.3 on Amiga. It is maybe a bit vague for me but given the circumstances, what can you do.
Well whatever, this is two great tracks of booty shaking Amiga techno with another techno but maybe a bit more melodic remix from Tom Woxom and a skweee remix from DKSTR.
Another great little something for people who don’t like chipmusic that sounds like unicorns ejaculating rainbows into your ears.
It’s funny how things work, one moment weird internet chip culture hates chipstep, when suddenly, Chibi-Tech, who looks great in a dress and had one of standout tracks on the 8BP050 compilation (even better, it’s on the free bonus disk), appears with a technically impressive EDM NES number and suddenly everyone gets it. While it shows an absurd amount of patience (probably with vibrato commands) it’s fantastic to hear the NES getting in on some heavy growling bass.
Anyway before that happened, Kraettz released Galaxy Whore Recovery Center on Dubstep/Future Garage netlabel Vekta Records. While the old consoles are just as heavily processed as Chibi-tech’s in post production, it takes us to a much more subtle and atmospheric realm with apocalyptic clunks, odd bleeps and droney basslines.
As far as I can tell more and more people seem to be more interested in self releasing on Bandcamp and places like that than netlabels these days. So, rather than rage quitting, I decided that if I can’t release them then I should try and aggregate chipmusic releases that summon the spirit of Kittenrock here with a small review. We are still accepting demos as well.
Anyway, first up is Floating High by Sea64, a squelchy little number that seems to pretty much replace the old 303 with a C64 with delightful results. Apparently it is Seapunk as well and I know that all the kids are down with that because someone that tells Rihanna what to do thinks it is cool.
Most Seapunk just seems to sound a bit like 90s dance music to me but I guess that doesn’t matter much as there was lots of great dance music in the 90s.
Is that a review or sarcasm? I don’t know but this is good music so if you like good music then you can listen to it here:
Huh, yeah, so this was the description in the text file I got sent with this epic two hour release:
With the body of Steven Seagal, the head of a tiger and a sword that can cut through bone, Jowell Ghanter truly is a force not to be messed with…
Basically, all you need to know is that this is by Joss Manley, his friend Alex and a bunch of different bits of hardware.
I guess that I am probably too old to know much about bass micro genres. Is this dubstep? Isn’t trap a particually alluring tranny? Why is electro now the same as dubstep but with more kick drums? Eugh. Anyway I liked the sound design and the cheeky riffs on this. It’s chunky and crunchy.
Another great demo that turned up in the Kittenrock inbox and one of those great artists that uploaded a few un-noticed eerie and beautiful (and now lost forever?) Game Boy tracks to 8bc. Composed using LSDJ and Nanoloop 2.3, Kittenrock presents a short EP of fuzzy rhythms, haunted bass lines and colourless yet stunning landscapes.
Ten esteemed chipmusic composers working on ten different computers come together with one aim – to wring pure ACID from their respective platforms.
The results demonstrate what various soundchips are capable of and, more importantly, rock the house. This is Virtual Kikumoto.
01 – Yerzmyey – Get Mad (Sinclair ZX Spectrum)
02 – Kplecraft – Shibatom (Nintendo Famicom)
03 – gwEm – 1990s Superbike (Atari ST)
04 – Linde – Beige Boxes (Sega Mega Drive)
05 – Joss Manley – Acid Chunks (Commodore Amiga)
06 – Goto80 – Acid Booger (Commodore 64)
07 – Matt Nida – Save The Date (Sony PSP)
08 – Jellica – Moving House and Decorating Acid Two (Nintendo Game Boy)
09 – Hizmi – DRTY PWDR (Sharp X68000)
10 – DS-10 Dominator – After the Afterparty (Nintendo DS)
(bonus track: Ikuma – TRibe 727 (Nintendo Game Boy and Roland TB-303)
Artwork: Raquel Meyers